{"id":2200,"date":"2024-03-02T11:01:55","date_gmt":"2024-03-02T16:01:55","guid":{"rendered":"https:\/\/revues.uqam.ca\/prefix\/?post_type=revue_prefix&p=2200"},"modified":"2024-07-25T14:48:39","modified_gmt":"2024-07-25T18:48:39","slug":"les-taches-menageres-extrait","status":"publish","type":"revue_prefix","link":"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/","title":{"rendered":"Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0"},"content":{"rendered":"\n

<\/p>\n\n\n\n
Informations sur la traduction<\/strong>
Traduction de l\u2019espagnol par Lucia Carballo. R\u00e9vision par Sophie Guinamand et Lilian Vianey Torres Merino. 

Source du texte original<\/strong>
In\u00e9s de la Cruz, sor Juana,\u202fLos empe\u00f1os de una casa<\/em>, Association for Hispanic Classical Theater, [1683] 2006.<\/td><\/tr><\/tbody><\/table>\n\n\n\n
Note sur la traduction<\/strong>
S\u0153ur Juana In\u00e9s de la Cruz (1651-1695) est une religieuse catholique mexicaine. Po\u00e8te et dramaturge, elle est aussi compositrice et math\u00e9maticienne et est aujourd\u2019hui c\u00e9l\u00e9br\u00e9e comme l\u2019une des premi\u00e8res f\u00e9ministes des Am\u00e9riques. Elle d\u00e9fend toute sa vie le droit \u00e0 l\u2019\u00e9ducation et l\u2019intelligence des femmes, osant m\u00eame enseigner des textes \u00e9crits par des femmes \u00e0 ses \u00e9tudiantes. En 1683, elle publie la pi\u00e8ce\u202fLos empe\u00f1os de una casa<\/em>, une com\u00e9die de situation se d\u00e9roulant chez la bourgeoise de Tol\u00e8de, une ville d\u2019Espagne. Dans la sc\u00e8ne que nous avons choisi de traduire, le serviteur Casta\u00f1o raconte sa transformation d\u2019homme en femme, d\u00e9crivant les artifices employ\u00e9s pour le rendre enfin, \u00e0 la fin de la sc\u00e8ne, belle et d\u00e9sirable. <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\n
<\/path><\/path><\/svg><\/span>

Troisi\u00e8me jour, v. 2421 \u00e0 2508- version fran\u00e7aise<\/h4><\/div>
\n

Casta\u00f1o<\/strong><\/p>\n

[\u2026]<\/span>\u00a0<\/span><\/p>\n

Il \u00f4te son manteau, son \u00e9p\u00e9e et son chapeau.\u202f<\/span><\/i>\u00a0<\/span><\/p>\n

Pour commencer, il serait convenable\u202f<\/span>\u00a0<\/span><\/p>\n

que j\u2019attache ma chevelure,\u202f<\/span>\u00a0<\/span><\/p>\n

puisqu\u2019elle m\u2019enl\u00e8vera mille vies<\/span>\u00a0<\/span><\/p>\n

si je la laisse lousse.\u202f<\/span>\u00a0<\/span><\/p>\n

Avec ce voile, j\u2019ai l\u2019intention<\/span>\u00a0<\/span><\/p>\n

de couvrir ma t\u00eate;\u202f<\/span>\u00a0<\/span><\/p>\n

si je le place \u00e0 ma mani\u00e8re,\u202f<\/span>\u00a0<\/span><\/p>\n

cela tiendra du triomphe\u202f<\/span>\u00a0<\/span><\/p>\n

que d\u2019\u00eatre capable d\u2019apercevoir mon chagrin.\u202f<\/span>\u00a0<\/span><\/p>\n

Maintenant, place aux jupes.<\/span>\u00a0<\/span><\/p>\n

J\u00e9sus, quel magnifique tissu!<\/span>\u00a0<\/span><\/p>\n

Nul doute qu\u2019il m\u2019ira bien,\u202f<\/span>\u00a0<\/span><\/p>\n

puisque gr\u00e2ce \u00e0 ma peau fonc\u00e9e<\/span>\u00a0<\/span><\/p>\n

le bleu me sied comme le ciel.<\/span>\u00a0<\/span><\/p>\n

Et dis donc, qu\u2019est-ce que c\u2019est que \u00e7a? Tiens, des bijoux;<\/span>\u00a0<\/span><\/p>\n

je ne souhaite pas les enfiler,\u202f<\/span>\u00a0<\/span><\/p>\n

car je suis pr\u00e9sentement r\u00e9volt\u00e9.\u202f<\/span>\u00a0<\/span><\/p>\n

Un foulard je viens de trouver<\/span>\u00a0<\/span><\/p>\n

dans ma poche; je le porterai.<\/span>\u00a0<\/span><\/p>\n

Cette blouse me sied-elle?<\/span>\u00a0<\/span><\/p>\n

J\u2019ai besoin d\u2019un dangereux fond de teint;\u202f<\/span>\u00a0<\/span><\/p>\n

Si je pouvais plaire \u00e0 Dieu,<\/span>\u00a0<\/span><\/p>\n

je me serais mis en beaut\u00e9<\/span>\u00a0<\/span><\/p>\n

sans aucune h\u00e9sitation :<\/span>\u00a0<\/span><\/p>\n

mais puisqu\u2019il est ingrat,\u202f<\/span>\u00a0<\/span><\/p>\n

il m\u2019a donn\u00e9 ce visage.<\/span>\u00a0<\/span><\/p>\n

La couleur du fond de teint n\u2019est d\u2019aucune importance,\u202f<\/span>\u00a0<\/span><\/p>\n

puisque l\u2019ampleur de la t\u00e2che \u00e0 accomplir<\/span>\u00a0<\/span><\/p>\n

me fera changer mille fois de couleurs,\u202f<\/span>\u00a0<\/span><\/p>\n

digne d\u2019une femme de la honte.<\/span>\u00a0<\/span><\/p>\n

Que pensez-vous, mesdames,\u202f<\/span>\u00a0<\/span><\/p>\n

de cette fine dentelle?\u202f<\/span>\u00a0<\/span><\/p>\n

M\u00eame avec les soins du meilleur styliste,<\/span>\u00a0<\/span><\/p>\n

je ne pourrais \u00eatre mieux mise.<\/span>\u00a0<\/span><\/p>\n

C\u2019est vrai que je suis sublime.\u202f<\/span>\u00a0<\/span><\/p>\n

Dieu me garde, oh que je suis belle!\u202f<\/span>\u00a0<\/span><\/p>\n

Tout me convient,\u202f<\/span>\u00a0<\/span><\/p>\n

car ma forme est d\u2019une grande raret\u00e9.\u202f<\/span>\u00a0<\/span><\/p>\n

Je veux finir de m\u2019appr\u00eater,\u202f<\/span>\u00a0<\/span><\/p>\n

car je ne suis pas encore dame parfaite.\u202f<\/span>\u00a0<\/span><\/p>\n

Les gants; oh oui,\u202f<\/span>\u00a0<\/span><\/p>\n

car les mains ne sont pas cens\u00e9es savoir que,\u202f<\/span>\u00a0<\/span><\/p>\n

malgr\u00e9 ma ressemblance \u00e0 \u00c9sa\u00fc,\u202f<\/span>\u00a0<\/span><\/p>\n

elles sont \u00e0 Jacob.\u202f\u202f<\/span>\u00a0<\/span><\/p>\n

Le voile vaut plus que tout,\u202f<\/span>\u00a0<\/span><\/p>\n

mettez-le sur ma t\u00eate.\u202f<\/span>\u00a0<\/span><\/p>\n

Pour l\u2019amour de Dieu! Ce tissu de soie\u202f<\/span>\u00a0<\/span><\/p>\n

me recouvre tellement,\u202f<\/span>\u00a0<\/span><\/p>\n

qu\u2019il n\u2019y a pas de foss\u00e9 qui puisse ainsi me garder,\u202f<\/span>\u00a0<\/span><\/p>\n

ni de mur qui me d\u00e9fende autant,\u202f<\/span>\u00a0<\/span><\/p>\n

ni de voleur qui cache tant,\u202f<\/span>\u00a0<\/span><\/p>\n

ni de page qui ment autant,\u202f<\/span>\u00a0<\/span><\/p>\n

ni de gitan qui trompe si bien,\u202f<\/span>\u00a0<\/span><\/p>\n

ni de vendeur qui vende autant.<\/span>\u00a0<\/span><\/p>\n

L\u2019\u00e9ventail rehausse ma gr\u00e2ce et ma beaut\u00e9,<\/span>\u00a0<\/span><\/p>\n

mais s\u2019il me donne autant d\u2019air,\u202f<\/span>\u00a0<\/span><\/p>\n

\u00e0 quel point est-il mon sosie?<\/span>\u00a0<\/span><\/p>\n

Y a-t-il une dame dans l\u2019auditoire\u202f\u202f<\/span>\u00a0<\/span><\/p>\n

capable de dire \u00e0 sa partenaire :\u202f<\/span>\u00a0<\/span><\/p>\n

\u00ab\u202fMon amie, cet imb\u00e9cile\u202f\u202f<\/span>\u00a0<\/span><\/p>\n

\u202fon dirait qu\u2019il se d\u00e9guise.\u202f\u00bb<\/span>\u00a0<\/span><\/p>\n

Eh bien attention, mes dames,\u202f<\/span>\u00a0<\/span><\/p>\n

ceci n\u2019est un pas de com\u00e9die;\u202f<\/span>\u00a0<\/span><\/p>\n

ne pensez pas que ce sont des tours\u202f<\/span>\u00a0<\/span><\/p>\n

forg\u00e9s dans mon esprit,\u202f<\/span>\u00a0<\/span><\/p>\n

car je ne veux pas vous tromper,\u202f<\/span>\u00a0<\/span><\/p>\n

et encore moins votre excellence.\u202f<\/span>\u00a0<\/span><\/p>\n

\u00c7a y est, je suis arm\u00e9e, et, qui doute encore\u202f<\/span>\u00a0<\/span><\/p>\n

qu\u2019au moment o\u00f9 ils me verront,\u202f<\/span>\u00a0<\/span><\/p>\n

je sois suivie par quatre mille galants\u202f<\/span>\u00a0<\/span><\/p>\n

de ceux qui courtisent,\u202f<\/span>\u00a0<\/span><\/p>\n

Et qui en me voyant s\u2019entassent,\u202f<\/span>\u00a0<\/span><\/p>\n

puisqu\u2019ils ne voient pas la v\u00e9ritable beaut\u00e9,<\/span>\u00a0<\/span><\/p>\n

mais plut\u00f4t celle qu\u2019ils s\u2019imaginent?<\/span>\u00a0<\/span><\/p>\n

Alors, assez de plaisanterie.\u202f<\/span>\u00a0<\/span><\/p>\n

Au pas d\u00e9licat, bien droit<\/span>\u00a0<\/span><\/p>\n

la tenue, l\u2019air victorieux;\u202f<\/span>\u00a0<\/span><\/p>\n

la t\u00eate inclin\u00e9e,\u202f<\/span>\u00a0<\/span><\/p>\n

le oui et le non sont possibles;\u202f<\/span>\u00a0<\/span><\/p>\n

la main cach\u00e9e sous le voile;\u202f<\/span>\u00a0<\/span><\/p>\n

gardant un \u0153il reclus<\/span>\u00a0<\/span><\/p>\n

et l\u2019autre tourn\u00e9 vers l\u2019ext\u00e9rieur;\u202f<\/span>\u00a0<\/span><\/p>\n

allons-y maintenant, puisqu\u2019enferm\u00e9e\u202f<\/span>\u00a0<\/span><\/p>\n

se g\u00e2che ma beaut\u00e9.<\/span>\u00a0<\/span><\/p>\n

Je crains que quelqu\u2019un\u202f<\/span>\u00a0<\/span><\/p>\n

me s\u00e9duise.<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

\n
<\/path><\/path><\/svg><\/span>

Troisi\u00e8me jour, v. 2421 \u00e0 2508 – version originale<\/h4><\/div>
\n

Casta\u00f1o<\/strong><\/p>\n

[…]<\/p>\n

Qui\u0301tase capa, espada y sombrero.<\/em><\/p>\n

Lo primero, aprisionar<\/p>\n

me conviene la melena,<\/p>\n

porque quitara\u0301 mil vidas<\/p>\n

si le doy tantica suelta.<\/p>\n

Con este pan\u0303o pretendo<\/p>\n

abrigarme la mollera;<\/p>\n

si como quiero lo pongo,<\/p>\n

sera\u0301 gloria ver mi pena.<\/p>\n

Agora entran las basquin\u0303as.<\/p>\n

\u00a1Jesu\u0301s, y que\u0301 rica tela!<\/p>\n

No hay duda que me este\u0301 bien,<\/p>\n

porque como soy morena<\/p>\n

me esta\u0301 del cielo lo azul.<\/p>\n

\u00bfY esto que\u0301 es? Joyas son e\u0301stas;<\/p>\n

no me las quiero poner,<\/p>\n

que agora voy de revuelta.<\/p>\n

Un serenero he topado<\/p>\n

en aquesta faltriquera;<\/p>\n

tambie\u0301n me lo he de plantar.<\/p>\n

\u00bfCabra\u0301me esta pechuguera?<\/p>\n

El solima\u0301n me hace falta;<\/p>\n

pluguiese a Dios y le hubiera,<\/p>\n

que una manica de gato<\/p>\n

sin duda me la pusiera;<\/p>\n

pero no, que es un ingrato,<\/p>\n

y luego en cara me diera.<\/p>\n

La color no me hace al caso,<\/p>\n

que en este empen\u0303o, de fuerza<\/p>\n

me han de salir mil colores,<\/p>\n

por ser dama de vergu\u0308enza.<\/p>\n

\u00bfQue\u0301 les parece, sen\u0303oras,<\/p>\n

este encaje de ballena?<\/p>\n

Ni puesta con sacristanes<\/p>\n

pudiera estar ma\u0301s bien puesta.<\/p>\n

Es cierto que estoy hermosa.<\/p>\n

\u00a1Dios me guarde, que estoy bella!<\/p>\n

Cualquier cosa me esta\u0301 bien<\/p>\n

porque el molde es rara pieza.<\/p>\n

Quiero acabar de alin\u0303arme,<\/p>\n

que au\u0301n no estoy dama perfecta.<\/p>\n

Los guantes; aquesto si\u0301,<\/p>\n

porque las manos no vean,<\/p>\n

que han de ser la de Jacob<\/p>\n

con que a Esau\u0301 me parezca.<\/p>\n

El manto lo vale todo,<\/p>\n

e\u0301chomelo en la cabeza.<\/p>\n

\u00a1Va\u0301lgame Dios!, cua\u0301nto encubre<\/p>\n

esta telilla de seda,<\/p>\n

que ni hay foso que asi\u0301 guarde,<\/p>\n

ni muro que asi\u0301 defienda,<\/p>\n

ni ladro\u0301n que tanto encubra,<\/p>\n

ni paje que tanto mienta,<\/p>\n

ni gitano que asi\u0301 engan\u0303e,<\/p>\n

ni logrero que asi\u0301 venda.<\/p>\n

Un trasunto el abanillo<\/p>\n

es de mi garbo y belleza<\/p>\n

pero si me da tanto aire,<\/p>\n

\u00bfque\u0301 mucho a mi\u0301 se parezca?<\/p>\n

Dama habra\u0301 en el auditorio<\/p>\n

que diga a su compan\u0303era:<\/p>\n

\u201cMariquita, aqueste bobo<\/p>\n

al Tapado representa.\u201d<\/p>\n

Pues atencio\u0301n, mis sen\u0303oras,<\/p>\n

que es paso de la comedia;<\/p>\n

no piensen que son embustes<\/p>\n

fraguados aca\u0301 en mi idea,<\/p>\n

que yo no quiero engan\u0303arlas,<\/p>\n

ni menos a vueselencia.<\/p>\n

Ya estoy armado, y \u00bfquie\u0301n duda<\/p>\n

que en el punto que me vean<\/p>\n

me sigan cuatro mil lindos<\/p>\n

de aquestos que galantean<\/p>\n

a salga lo que saliere,<\/p>\n

y que a bulto se amartelan,<\/p>\n

no de la belleza que es,<\/p>\n

sino de la que ellos piensan?<\/p>\n

Vaya, pues, de dameri\u0301a.<\/p>\n

Menudo el paso, derecha<\/p>\n

la estatura, airoso el bri\u0301o;<\/p>\n

inclinada la cabeza,<\/p>\n

un si\u0301 es no es, al un lado;<\/p>\n

la mano en el manto envuelta;<\/p>\n

con el un ojo recluso<\/p>\n

y con el otro de fuera;<\/p>\n

y vamos ya, que encerrada<\/p>\n

se malogra mi belleza.<\/p>\n

Temor llevo de que alguno me enamore.<\/p>\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Note sur la traduction<\/strong> :

\nS\u0153ur Juana In\u00e9s de la Cruz (1651-1695) est une religieuse catholique mexicaine. Po\u00e8te et dramaturge, elle est aussi compositrice et math\u00e9maticienne et est aujourd\u2019hui c\u00e9l\u00e9br\u00e9e comme l\u2019une des premi\u00e8res f\u00e9ministes des Am\u00e9riques. Elle d\u00e9fend toute sa vie le droit \u00e0 l\u2019\u00e9ducation et l\u2019intelligence des femmes, osant m\u00eame enseigner des textes \u00e9crits par des femmes \u00e0 ses \u00e9tudiantes. En 1683, elle publie la pi\u00e8ce\u202fLos empe\u00f1os de una casa, une com\u00e9die de situation se d\u00e9roulant chez la bourgeoise de Tol\u00e8de, une ville d\u2019Espagne. Dans la sc\u00e8ne que nous avons choisi de traduire, le serviteur Casta\u00f1o raconte sa transformation d\u2019homme en femme, d\u00e9crivant les artifices employ\u00e9s pour le rendre enfin, \u00e0 la fin de la sc\u00e8ne, belle et d\u00e9sirable. <\/p>\n","protected":false},"author":1,"featured_media":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"tags":[59,369,100,209,340,398,64],"numeros_revue_prefix":[350],"ppma_author":[357,353,354,382],"class_list":["post-2200","revue_prefix","type-revue_prefix","status-publish","hentry","tag-division-sexuelle-du-travail","tag-espagne","tag-genre","tag-histoire","tag-sciences-des-religions","tag-theatre","tag-travail","numeros_revue_prefix-vol-1-no-1"],"acf":{"sections":{"section":"F\u00e9minismes de la jeune modernit\u00e9 (XIVe-XVIIIe si\u00e8cles) "},"bibliographie":"","note_de_bas_de_page":"","pour_citer_ce_document":"de la Cruz, Juana Ines, traduit de l\u2019espagnol par Lucia Carballo, 2024, \u00abLes t\u00e2ches m\u00e9nag\u00e8res, extrait\u00bb, Pr\u00e9fix,<\/em> vol. 1, no 1, \u00ab Pour une diversification des voix f\u00e9ministes dans l\u2019enseignement francophone : traduction de textes th\u00e9oriques \u00e0 des fins p\u00e9dagogiques \u00bb. Version en ligne : https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/<\/a>","hyperliens":[{"fr_ca":"https:\/\/revues.uqam.ca\/prefix\/wp-content\/uploads\/sites\/4\/2024\/03\/Vol1.no1_delaCruz.pdf"}],"order":1},"yoast_head":"\nLes t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 | PR\u00c9FIX<\/title>\n<meta name=\"description\" content=\"Traduction d'un extrait pi\u00e8ce\u202fLos empe\u00f1os de una casa, de S\u0153ur Juana In\u00e9s de la Cruz (1651-1695) ,une religieuse catholique mexicaine. Po\u00e8te et dramaturge, elle est aussi compositrice et math\u00e9maticienne et est aujourd\u2019hui c\u00e9l\u00e9br\u00e9e comme l\u2019une des premi\u00e8res f\u00e9ministes des Am\u00e9riques. PR\u00c9FIX Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 |\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 | PR\u00c9FIX\" \/>\n<meta property=\"og:description\" content=\"Traduction d'un extrait pi\u00e8ce\u202fLos empe\u00f1os de una casa, de S\u0153ur Juana In\u00e9s de la Cruz (1651-1695) ,une religieuse catholique mexicaine. Po\u00e8te et dramaturge, elle est aussi compositrice et math\u00e9maticienne et est aujourd\u2019hui c\u00e9l\u00e9br\u00e9e comme l\u2019une des premi\u00e8res f\u00e9ministes des Am\u00e9riques. PR\u00c9FIX Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 |\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/\" \/>\n<meta property=\"og:site_name\" content=\"PR\u00c9FIX\" \/>\n<meta property=\"article:modified_time\" content=\"2024-07-25T18:48:39+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/\",\"url\":\"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/\",\"name\":\"Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 | PR\u00c9FIX\",\"isPartOf\":{\"@id\":\"https:\/\/revues.uqam.ca\/prefix\/#website\"},\"datePublished\":\"2024-03-02T16:01:55+00:00\",\"dateModified\":\"2024-07-25T18:48:39+00:00\",\"description\":\"Traduction d'un extrait pi\u00e8ce\u202fLos empe\u00f1os de una casa, de S\u0153ur Juana In\u00e9s de la Cruz (1651-1695) ,une religieuse catholique mexicaine. Po\u00e8te et dramaturge, elle est aussi compositrice et math\u00e9maticienne et est aujourd\u2019hui c\u00e9l\u00e9br\u00e9e comme l\u2019une des premi\u00e8res f\u00e9ministes des Am\u00e9riques. PR\u00c9FIX Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 |\",\"breadcrumb\":{\"@id\":\"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"UQAM\",\"item\":\"https:\/\/uqam.ca\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"PR\u00c9FIX\",\"item\":\"https:\/\/revues.uqam.ca\/prefix\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Revues Pr\u00e9fiX\",\"item\":\"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/revues.uqam.ca\/prefix\/#website\",\"url\":\"https:\/\/revues.uqam.ca\/prefix\/\",\"name\":\"PR\u00c9FIX\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/revues.uqam.ca\/prefix\/recherche\/?q={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-CA\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 | PR\u00c9FIX","description":"Traduction d'un extrait pi\u00e8ce\u202fLos empe\u00f1os de una casa, de S\u0153ur Juana In\u00e9s de la Cruz (1651-1695) ,une religieuse catholique mexicaine. Po\u00e8te et dramaturge, elle est aussi compositrice et math\u00e9maticienne et est aujourd\u2019hui c\u00e9l\u00e9br\u00e9e comme l\u2019une des premi\u00e8res f\u00e9ministes des Am\u00e9riques. PR\u00c9FIX Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 |","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/","og_locale":"fr_CA","og_type":"article","og_title":"Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 | PR\u00c9FIX","og_description":"Traduction d'un extrait pi\u00e8ce\u202fLos empe\u00f1os de una casa, de S\u0153ur Juana In\u00e9s de la Cruz (1651-1695) ,une religieuse catholique mexicaine. Po\u00e8te et dramaturge, elle est aussi compositrice et math\u00e9maticienne et est aujourd\u2019hui c\u00e9l\u00e9br\u00e9e comme l\u2019une des premi\u00e8res f\u00e9ministes des Am\u00e9riques. PR\u00c9FIX Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 |","og_url":"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/","og_site_name":"PR\u00c9FIX","article_modified_time":"2024-07-25T18:48:39+00:00","twitter_card":"summary_large_image","twitter_misc":{"Estimation du temps de lecture":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/","url":"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/","name":"Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 | PR\u00c9FIX","isPartOf":{"@id":"https:\/\/revues.uqam.ca\/prefix\/#website"},"datePublished":"2024-03-02T16:01:55+00:00","dateModified":"2024-07-25T18:48:39+00:00","description":"Traduction d'un extrait pi\u00e8ce\u202fLos empe\u00f1os de una casa, de S\u0153ur Juana In\u00e9s de la Cruz (1651-1695) ,une religieuse catholique mexicaine. Po\u00e8te et dramaturge, elle est aussi compositrice et math\u00e9maticienne et est aujourd\u2019hui c\u00e9l\u00e9br\u00e9e comme l\u2019une des premi\u00e8res f\u00e9ministes des Am\u00e9riques. PR\u00c9FIX Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0 |","breadcrumb":{"@id":"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/les-taches-menageres-extrait\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"UQAM","item":"https:\/\/uqam.ca"},{"@type":"ListItem","position":2,"name":"PR\u00c9FIX","item":"https:\/\/revues.uqam.ca\/prefix"},{"@type":"ListItem","position":3,"name":"Revues Pr\u00e9fiX","item":"https:\/\/revues.uqam.ca\/prefix\/revue-prefix\/"},{"@type":"ListItem","position":4,"name":"Les t\u00e2ches\u202fm\u00e9nag\u00e8res, extrait\u00a0"}]},{"@type":"WebSite","@id":"https:\/\/revues.uqam.ca\/prefix\/#website","url":"https:\/\/revues.uqam.ca\/prefix\/","name":"PR\u00c9FIX","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/revues.uqam.ca\/prefix\/recherche\/?q={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-CA"}]}},"featured_img":false,"coauthors":[{"link":"https:\/\/revues.uqam.ca\/prefix\/author\/de-la-cruz-sor-juana-ines\/","display_name":"de la Cruz, Sor Juana In\u00e9s"},{"link":"https:\/\/revues.uqam.ca\/prefix\/author\/carballo-lula\/","display_name":"Carballo, Lula"},{"link":"https:\/\/revues.uqam.ca\/prefix\/author\/guinamand-sophie\/","display_name":"Guinamand, Sophie"},{"link":"https:\/\/revues.uqam.ca\/prefix\/author\/torres-merino-lilian-vianey\/","display_name":"Torres Merino, Lilian Vianey"}],"author_meta":{"author_link":"https:\/\/revues.uqam.ca\/prefix\/author\/laporte_jon\/","display_name":"Laporte, Jonathan"},"relative_dates":{"created":"Posted 2 ann\u00e9es ago","modified":"Updated 2 ann\u00e9es ago"},"absolute_dates":{"created":"Posted on 2 mars 2024","modified":"Updated on 25 juillet 2024"},"absolute_dates_time":{"created":"Posted on 2 mars 2024 11 h 01 min","modified":"Updated on 25 juillet 2024 14 h 48 min"},"featured_img_caption":"","tax_additional":{"post_tag":{"linked":["<a href=\"https:\/\/revues.uqam.ca\/prefix\/tag\/division-sexuelle-du-travail\/\" class=\"advgb-post-tax-term\">division sexuelle du travail<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/tag\/espagne\/\" class=\"advgb-post-tax-term\">espagne<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/tag\/genre\/\" class=\"advgb-post-tax-term\">genre<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/tag\/histoire\/\" class=\"advgb-post-tax-term\">histoire<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/tag\/sciences-des-religions\/\" class=\"advgb-post-tax-term\">sciences des religions<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/tag\/theatre\/\" class=\"advgb-post-tax-term\">th\u00e9\u00e2tre<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/tag\/travail\/\" class=\"advgb-post-tax-term\">travail<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">division sexuelle du travail<\/span>","<span class=\"advgb-post-tax-term\">espagne<\/span>","<span class=\"advgb-post-tax-term\">genre<\/span>","<span class=\"advgb-post-tax-term\">histoire<\/span>","<span class=\"advgb-post-tax-term\">sciences des religions<\/span>","<span class=\"advgb-post-tax-term\">th\u00e9\u00e2tre<\/span>","<span class=\"advgb-post-tax-term\">travail<\/span>"],"slug":"post_tag","name":"\u00c9tiquettes"},"numeros_revue_prefix":{"linked":["<a href=\"https:\/\/revues.uqam.ca\/prefix\/numeros-revue-prefix\/vol-1-no-1\/\" class=\"advgb-post-tax-term\">Vol. 1 no 1<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Vol. 1 no 1<\/span>"],"slug":"numeros_revue_prefix","name":"Num\u00e9ros revue Pr\u00e9fiX"},"author":{"linked":["<a href=\"https:\/\/revues.uqam.ca\/prefix\/author\/de-la-cruz-sor-juana-ines\/\" class=\"advgb-post-tax-term\">de la Cruz, Sor Juana In\u00e9s<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/author\/carballo-lula\/\" class=\"advgb-post-tax-term\">Carballo, Lula<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/author\/guinamand-sophie\/\" class=\"advgb-post-tax-term\">Guinamand, Sophie<\/a>","<a href=\"https:\/\/revues.uqam.ca\/prefix\/author\/torres-merino-lilian-vianey\/\" class=\"advgb-post-tax-term\">Torres Merino, Lilian Vianey<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">de la Cruz, Sor Juana In\u00e9s<\/span>","<span class=\"advgb-post-tax-term\">Carballo, Lula<\/span>","<span class=\"advgb-post-tax-term\">Guinamand, Sophie<\/span>","<span class=\"advgb-post-tax-term\">Torres Merino, Lilian Vianey<\/span>"],"slug":"author","name":"Authors"}},"series_order":"","_links":{"self":[{"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/revue_prefix\/2200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/revue_prefix"}],"about":[{"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/types\/revue_prefix"}],"author":[{"embeddable":true,"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":70,"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/revue_prefix\/2200\/revisions"}],"predecessor-version":[{"id":4248,"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/revue_prefix\/2200\/revisions\/4248"}],"wp:attachment":[{"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/media?parent=2200"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/tags?post=2200"},{"taxonomy":"numeros_revue_prefix","embeddable":true,"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/numeros_revue_prefix?post=2200"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revues.uqam.ca\/prefix\/wp-json\/wp\/v2\/ppma_author?post=2200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}