{"id":14821,"date":"2017-02-06T02:38:00","date_gmt":"2017-02-06T02:38:00","guid":{"rendered":"https:\/\/revues.uqam.ca\/feminetudes\/?post_type=articles&p=14821"},"modified":"2025-01-10T15:03:16","modified_gmt":"2025-01-10T15:03:16","slug":"storyboard-ma-trajectoire-resistante","status":"publish","type":"articles","link":"https:\/\/revues.uqam.ca\/feminetudes\/articles\/storyboard-ma-trajectoire-resistante\/","title":{"rendered":"\u00ab Storyboard \u00bb : ma trajectoire r\u00e9sistante"},"content":{"rendered":"

<\/p>\n

\u00ab La r\u00e9sistance<\/em> est ce qui s\u2019offre \u00e0 nous quand la r\u00e9volution (la rupture) fait d\u00e9faut. Elle s\u2019inscrit au plus secret du quotidien. Elle n\u2019est pas de l\u2019ordre du renversement mais du d\u00e9placement<\/em>.1<\/a><\/sup>Fran\u00e7oise Collin, \u00ab Ruptures. R\u00e9sistance. Utopie \u00bb, Nouvelles Questions F\u00e9ministes 22<\/em>, 2003, no. 1, p. 69.<\/span>\u00a0\u00bb [Je souligne]<\/p>\n

<\/p>\n

<\/p>\n

Il n\u2019y a pas une femme qui ne soit unique<\/strong>
Dans ce qu\u2019elle est, aspire \u00e0 \u00eatre ou a v\u00e9cu<\/strong>
Mais au plus secret de notre quotidien<\/em><\/strong>
Guerri\u00e8res, toutes nous r\u00e9sistons<\/strong>
Esquivant les fronti\u00e8res sexistes<\/strong>
En attendant la grande rupture<\/em><\/strong>
Celle qui les fera toutes sauter.<\/strong><\/p>\n

<\/p>\n

Extrait du projet\u00a0 \u00ab\u00a0Storyboard\u00a0\u00bb\u00a0: ma trajectoire r\u00e9sistance<\/em><\/p>\n

<\/p>\n\n\n

\"\"<\/figure>\n\n\n

Je vide la coupe
<\/span>Regarde \u00a0 le sang vers\u00e9<\/span><\/p>\n

Mon sang<\/span><\/p>\n

Couleur vive
<\/span>Puissante
<\/span>Non-alt\u00e9r\u00e9e<\/span><\/p>\n

Pas brun
<\/span>Pas sale \u00a0 abject\u00a0
<\/span>Mais<\/span><\/p>\n

Mon sang<\/span><\/p>\n

Rouge
<\/span>Frais
<\/span>Terrible\u00a0<\/span><\/p>\n

Regarde \u00a0 le sang vers\u00e9
<\/span>Le sang qui court<\/span><\/p>\n

Mon sang\u00a0\u00a0<\/span><\/p>\n

S\u2019\u00e9lance
<\/span>Feu de joie\u00a0
<\/span>Danse\u00a0
<\/span>Lib\u00e9r\u00e9e
<\/span>Sur blanche
<\/span>Porcelaine<\/span><\/p>\n

Mon sang<\/span><\/p>\n

Brise ses entraves
<\/span>Libre \u00a0 Espace\u00a0 Champ
<\/span>Collectif\u00a0
<\/span>Des possibles<\/span><\/p>\n

Mon sang\u00a0<\/span><\/p>\n

M\u2019\u00e9meut
<\/span>Lov\u00e9e
<\/span>Me berce
<\/span>Au creux
<\/span>D’un corps
<\/span>Que je fais
<\/span>Mien.<\/span><\/p>\n\n\n

\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
\n
\n

Insert\u00a0
Remove\u00a0
Trash
Insert
Remove
Trash
Insert\u00a0
Remove
Trash
Trash
Trash<\/p>\n

Question\u00a0:<\/p>\n

Pourquoi enduire
Votre rouge sale
Douleur
Tabou
Forc\u00e9e
Entre\u00a0
Mes\u00a0
Cuisses<\/p>\n

Vomir\u00a0<\/p>\n

Vomir tout ce rouge \u00ab\u00a0sale\u00a0\u00bb\u00a0
Vomir votre souillure
Hors de mon corps
Tous vous vomir<\/p>\n<\/div>\n\n\n\n

\n

Prendre\u00a0
<\/span>L\u2019abject
<\/span>Prendre
<\/span>Le Non dit
<\/span>Dissimul\u00e9<\/span><\/p>\n

Prendre
<\/span>Parole\u00a0
<\/span>Fluides<\/span><\/p>\n

Ouvrir\u00a0
<\/span>Surtout
<\/span>Ouvrir
<\/span>Un dialogue\u00a0
<\/span>\u00c0 partir<\/span><\/p>\n

Parole<\/span><\/p>\n

Intime\u00a0
<\/span>Langue\u00a0
<\/span>Subversive
<\/span>Tisser\u00a0
<\/span>Des liens
<\/span>Guerri\u00e8res<\/span><\/p>\n

Parole<\/span><\/p>\n

R\u00e9sistance
<\/span>Corps
<\/span>Osant
<\/span>Se donnant
<\/span>\u00c0 voir
<\/span>Se donnant
<\/span>Une voix<\/span><\/p>\n

Parole\u00a0
<\/span>Spontan\u00e9e
<\/span>Tra\u00e7ant
<\/span>Ligne\u00a0
<\/span>De fuites\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
<\/div>\n\n\n\n
\n

Fuir<\/span><\/p>\n

Votre canevas\u00a0\u00a0\u00a0
<\/span>Tiss\u00e9 serr\u00e9<\/span><\/p>\n

Fuir<\/span><\/p>\n

Votre \u00e9touffante
<\/span>Fabrique
<\/span>Pens\u00e9e dualiste\u00a0<\/span><\/p>\n

Fuir<\/span><\/p>\n

Votre\u00a0
<\/span>Fabrique
<\/span>Poup\u00e9es<\/span><\/i>2<\/a><\/sup>Martine Delvaux, Les filles en s\u00e9rie : des Barbies aux Pussy Riot<\/em>, Montr\u00e9al, \u00c9ditions du remue-m\u00e9nage, 2013, 227 p.<\/span><\/span>
<\/span><\/i>Qui vole\u00a0
<\/span>Et viole
<\/span>Nos corps<\/span><\/p>\n

Nos corps
<\/span>Scrut\u00e9s
<\/span>Objectifi\u00e9s
<\/span>Contr\u00f4l\u00e9s<\/span><\/p>\n

Pour y inscrire
<\/span>Votre cartographie\u00a0
<\/span>Du f\u00e9minin<\/span><\/p>\n

Comme\u00a0
<\/span>S\u2019il y en avait \u00ab\u00a0un\u00a0\u00bb
<\/span>As if it really mattered<\/span><\/i><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
\n
\n

Biopolitique
<\/span>Patriarcale<\/span><\/p>\n

Je crache
<\/span>Sur tes\u00a0
<\/span>Fronti\u00e8res
<\/span>Sexistes<\/span><\/p>\n

Nue et int\u00e9grale<\/span><\/p>\n

J\u2019entre par
<\/span>Mon priv\u00e9
<\/span>Subversif<\/span><\/p>\n

Revendique
<\/span>Mon droit
<\/span>D\u2019occuper
<\/span>Plus d\u2019un
<\/span>Espace
<\/span>\u00c0 la fois<\/span><\/p>\n

JE SUIS
<\/span>Corps\u00a0
<\/span>Plein
<\/span>De Fuites
<\/span>Entre les\u00a0
<\/span>Cases\u00a0
<\/span>De l\u2019id\u00e9al\u00a0
<\/span>F\u00e9minin<\/span><\/p>\n

JE NE VEUX PAS
<\/span>D\u2019UN ID\u00c9AL
<\/span>Sur et dans la voix
<\/span>De la r\u00e9appropriation\u00a0
<\/span>De mon propre corps
<\/span>Je serai une \u00ab Je \u00bb
<\/span>Sans compromis<\/span><\/p>\n

Ni \u00ab\u00a0femme priv\u00e9e\u00a0\u00bb\u00a0
<\/span>Ni \u00ab\u00a0femme publique\u00a0\u00bb
<\/span>Habill\u00e9e
<\/span>D\u00e9v\u00eatue
<\/span>D\u00e9cousue
<\/span>Mon corps
<\/span>Refuse\u00a0
<\/span>L\u2019\u00e9pitaphe\u00a0
<\/span>\u00ab\u00a0Femme publique\u00a0\u00bb
<\/span>Sur frapp\u00e9
<\/span>Dans mes chairs<\/span><\/p>\n<\/div>\n\n\n\n

\n

\u00a0<\/p>\n

Ni lesbienne\u00a0
<\/span>Ni h\u00e9t\u00e9ro
<\/span>Je d\u00e9borde\u00a0
<\/span>Du cadre<\/span><\/p>\n

Je revendique\u00a0
<\/span>Cette intangibilit\u00e9
<\/span>Qui vous d\u00e9range
<\/span>M. le psychologue
<\/span>Je ne \u00ab\u00a0choisirai\u00a0\u00bb\u00a0
<\/span>Pas un sexe\u00a0\u00a0\u00a0
<\/span>Pas un camp
<\/span>Je ne suis\u00a0
<\/span>Pas ind\u00e9cise
<\/span>Pas volage
<\/span>Faible
<\/span>\u00c9gar\u00e9e
<\/span>Mais d\u00e9sir\u00a0
<\/span>Mouvant
<\/span>Qui aime\u00a0
<\/span>Sans
<\/span>Discrimination<\/span><\/p>\n

Rien \u00e0 foutre\u00a0
<\/span>Que \u00e7a ne cadre\u00a0
<\/span>Pas dans votre\u00a0
<\/span>Cartographie
<\/span>Du f\u00e9minin\u00a0<\/span><\/p>\n

Parce que\u00a0
<\/span>Qu\u2019est-ce que\u00a0
<\/span>Ce <\/span>f\u00e9minin
<\/span><\/i>Anyway<\/span><\/i>\u00a0<\/span><\/p>\n

D\u2019autres\u00a0
<\/span>P\u2019tites cases
<\/span>Pour mieux
<\/span>(D\u00e9)limiter
<\/span>Prescrire
<\/span>Interdire
<\/span>Mon corps
<\/span>Traverse
<\/span>Qui aime\u00a0
<\/span>Les interstices<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

\u00a0<\/p>\n

JE SUIS\u00a0
<\/span>Corps\u00a0
<\/span>Plein de fuites
<\/span>JE SUIS
<\/span>D\u00e9bordement\u00a0
<\/span>Votre enfermement<\/span><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n


JE SUIS
<\/span>Raison
<\/span>Affect
<\/span>Nature
<\/span>Et culture
<\/span>Individue
<\/span>Relation
<\/span>Force
<\/span>Et faiblesse<\/span><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n


Je SUIS\u00a0
<\/span>Composition
<\/span>De <\/span>lenteurs et de vitesses<\/span><\/i>3<\/a><\/sup> Gilles Deleuze et F\u00e9lix Guattari, Mille plateaux: Capitalisme et Schizophr\u00e9nie 2<\/em>, Paris, \u00c9ditions de Minuit, 1980, pp. 339-340. <\/span><\/span><\/p>\n

Re\u00e7ois ma voix\u00a0
<\/span>Charg\u00e9e d\u2019affect
<\/span>Entends-tu
<\/span>Le clair fils
<\/span>De ma pens\u00e9e<\/span><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n

Exit vos reformulations\u00a0
<\/span>Saveur sanctions royales
<\/span>Exit vos mains\u00a0
<\/span>Qui s\u2019imposent\u00a0
<\/span>D\u00e9coudre ma pens\u00e9e\u00a0
<\/span>Tiss\u00e9e de fils crois\u00e9s
<\/span>Parce que vous d\u00eetes
<\/span>Savoir-pouvoir la Raison\u00a0<\/span><\/p>\n\n\n

\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Je suis l\u00e9gitime.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Merci KARELLE Taillon-Rodrigue, JANIE Daneau, CHARLOTTE Biddle-Bocan, R\u00c9BECCA Beauvais, JENOFA Berhocoirigoin.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab La r\u00e9sistance est ce qui s\u2019offre \u00e0 nous quand la r\u00e9volution (la rupture) fait d\u00e9faut. Elle s\u2019inscrit au plus secret du quotidien. Elle n\u2019est pas de l\u2019ordre du renversement mais du d\u00e9placement.\u00a0\u00bb [Je souligne] Il n\u2019y a pas une femme qui ne soit uniqueDans ce qu\u2019elle est, aspire \u00e0 \u00eatre ou a v\u00e9cuMais au […]<\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_acf_changed":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"tags":[183,158,247,305,102,108,113,100,99],"numeros":[211],"ppma_author":[205],"class_list":["post-14821","articles","type-articles","status-publish","hentry","tag-controle-et-resistances-du-corps","tag-corps-et-corporalite","tag-creation-litteraire","tag-menstruations","tag-photographie","tag-poesie","tag-reappropriation","tag-solidarite","tag-voix-resistantes","numeros-vol-21-no-1-postures-et-privileges"],"acf":{"sections":{"section":""},"bibliographie":"","hyperliens":null,"order":22},"yoast_head":"\n\u00ab Storyboard \u00bb : ma trajectoire r\u00e9sistante | Revue F\u00e9min\u00c9tudes<\/title>\n<meta name=\"description\" content=\"\u00ab La r\u00e9sistance est ce qui s\u2019offre \u00e0 nous quand la r\u00e9volution (la rupture) fait d\u00e9faut. 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