{"id":14725,"date":"2019-03-23T18:25:41","date_gmt":"2019-03-23T18:25:41","guid":{"rendered":"https:\/\/revues.uqam.ca\/feminetudes\/?post_type=articles&p=14725"},"modified":"2025-01-29T21:39:17","modified_gmt":"2025-01-29T21:39:17","slug":"les-traits-du-culot-face-a-lattrait-des-absences","status":"publish","type":"articles","link":"https:\/\/revues.uqam.ca\/feminetudes\/articles\/les-traits-du-culot-face-a-lattrait-des-absences\/","title":{"rendered":"Les traits du culot face \u00e0 l\u2019attrait des absences"},"content":{"rendered":"\n

Texte : Annabelle Ponsin
Illustration : Pauline Stive<\/em><\/p>\n\n\n\n

\"\"
<\/div><\/div><\/div><\/div>\n\n\n\n

C\u2019est \u00e0 bras les corps que P\u00e9n\u00e9lope Bagieu retrace des parcours de femmes inspirantes;
Et inspir\u00e9es de ne pas incarner ce que l\u2019on attendait d\u2019elles.
Pour retourner ce miroir qu\u2019elle nous tend, Portraitisons l\u2019artiste.
Donnons-lui corps.<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n

Culott.\u00e9es\u00a0<\/strong>
Adjectif f\u00e9minin, f\u00e9ministe; le plus souvent.
Familier; mais pas forc\u00e9ment familial.
S\u2019accordant en genre, hors des ombres, et au pluriel; quand tout va bien.
Se dit de femmes qui osent \u00eatre.\u00a0
Syn.\u00a0
Porter le culot de sa vie.<\/p>\n\n\n\n

Culott.\u00e9e<\/strong>
Sans pr\u00e9tention, cette artiste engag\u00e9e
R\u00e9veille les soup\u00e7ons, \u00e9veille des espoirs\u00a0<\/p>\n\n\n\n

Culott.\u00e9 ? <\/strong>
On aimerait que \u00e7a ne le soit plus. 
On aimerait que \u00e7a n\u2019\u00e9tonne plus personne que les femmes soient capables de se dessiner des destins.
On aimerait que \u00e7a soit courant, de les citer, pour remonter la g\u00e9n\u00e9alogie humaine.<\/p>\n\n\n<\/p>\n

\u00c0 corps perdus, chercher.<\/b><\/h2>\n

La revue Science le dit, elle aussi,\u00a0
<\/span>Toutes petites d\u00e9j\u00e0, les enfantes s\u2019oublient.\u00a0<\/span><\/p>\n\n\n

\n

\u00ab \u00c0 l\u2019\u00e9cole, j\u2019\u00e9tais tr\u00e8s patiente. J\u2019\u00e9coutais toutes les le\u00e7ons d\u2019histoire : comment des messieurs avaient d\u00e9couvert l\u2019Am\u00e9rique, comment des messieurs avaient construit la Chine. On m\u2019a aussi enseign\u00e9 l\u2019histoire de la Russie o\u00f9 j\u2019apprenais que des messieurs avaient opt\u00e9 pour un plan quinquennal \u00e0 un certain moment. J\u2019apprenais toutes sortes de choses avec des noms de messieurs. Je connaissais les fables de Monsieur de la Fontaine, j\u2019aimais aussi Monsieur de la Palice. \u00c0 la maison, on avait le livre de Monsieur untel et, plus tard, j\u2019ai \u00e9tudi\u00e9 plusieurs autres messieurs. Je peux dire qu\u2019en g\u00e9n\u00e9ral, \u00e0 l\u2019\u00e9cole, on sautait d\u2019un monsieur \u00e0 l\u2019autre. \u00bb<\/p>\nSylvie Lalibert\u00e9, Je ne tiens qu\u2019\u00e0 un fil mais c\u2019est un tr\u00e8s bon fil, p. 36.<\/cite><\/blockquote>\n\n\n\n

Sylvie Lalibert\u00e9 met la table, 
Celle du d\u00e9bat, seulement.<\/p>\n\n\n\n

O\u00f9 sont les femmes, au juste ? Je veux dire dans les mots, dans les phrases, dans les livres ? 
Et ailleurs ?
O\u00f9 sont ces voix? <\/p>\n\n\n

Je n\u2019entends pas.<\/p>\n\n\n

Il faut en \u00eatre une, au moins, pour comprendre, souvent bien tard, que l\u2019on fait partie des Absentes.
\u00c7a a d\u00fb me prendre 18 ans pour saisir pourquoi, et comment, elles s\u2019\u00e9taient enfuies de mes Cahiers.
Et 23, peut-\u00eatre, pour cerner, que si on<\/em> ne les nomme pas, elles ne feront que passer, 
D\u00e9sincarn\u00e9es.<\/p>\n\n\n\n

Sans se placer.<\/p>\n\n\n\n

Alors j\u2019ai commenc\u00e9 \u00e0 les chercher, elles. 
\u00c0 les accorder en tout temps. 
Mes mots ont chang\u00e9 de couleur, de sororit\u00e9; d\u2019\u00e9lan.
Pour que le f\u00e9minin s\u2019exporte.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Reprendre chair, le d\u00e9cider.<\/strong><\/h2>\n\n\n\n

C<\/em><\/strong>e trouble initial, P\u00e9n\u00e9lope Bagieu, le transforme en une aventure fr\u00e9n\u00e9tique :<\/p>\n\n\n\n

Chaque semaine, durant deux ans, quatre couleurs \u00e0 la main, elle dresse de nouveaux portraits, brefs et captivants, de femmes surprenantes.
En voyageant aupr\u00e8s de 30 illustres femmes, cette audacieuse b\u00e9d\u00e9iste nous rappelle combien le f\u00e9minin<\/em> peut \u00eatre complexe, pluriel, h\u00e9t\u00e9rog\u00e8ne, 
ET libre.<\/p>\n\n\n\n

P<\/em><\/strong>\u00e9tillante d\u2019humour, 
P\u00e9n\u00e9lope n\u2019\u00e9crit bien que ce qui l\u2019aspire.
Prise dans ces vies, habit\u00e9e par ces histoires, 
Sa seule fa\u00e7on de s\u2019en d\u00e9partir est de nous les dire.<\/p>\n\n\n\n

D<\/em><\/strong>ans sa sage impertinence,
Elle tire son irr\u00e9v\u00e9rence \u00e0 l\u2019Histoire, avec un grand \u00ab H \u00bb aspir\u00e9 au masculin.
Elle balaie avec d\u00e9sinvolture les traits fig\u00e9s de ce que doit \u00eatre \u00ab une \u00bb femme.
Ce faisant, elle redonne chair \u00e0 celles qui ont toujours \u00e9t\u00e9 l\u00e0.<\/p>\n\n\n\n

Juste 
ICI<\/em><\/strong>
En sous-texte.<\/p>\n\n\n

D\u00e9cor pass\u00e9\u00a0
<\/b>Nous ouvre \u00e0 venir<\/b><\/h2>\n

C<\/strong><\/em>es h\u00e9ro\u00efnes de l\u2019ordinaire, habituelles faire-valoir,\u00a0
<\/span>Nous exposent aux \u00e9cueils volontaires de la m\u00e9moire collective,
<\/span>\u00c0 l\u2019atrophie r\u00e9guli\u00e8re des possibles de nos fil.s.les<\/span><\/p>\n

Ces vies s\u2019inventent et refusent la tenue impos\u00e9e.
<\/span>Alors, le genre sort de son asphyxiante binarit\u00e9,<\/span><\/p>\n

\u00c0 la lecture, on vole d\u2019une traite, d\u2019Angola jusqu\u2019en Chine, en passant par Paris, L\u2019Afghanistan ou la R\u00e9publique Dominicaine.<\/span><\/p>\n

Mais surtout, on d\u00e9monte les fils de l\u2019Istoire, en sautant les si\u00e8cles, et les \u00e2ges de la vie,\u00a0
<\/span>Pour se retrouver toutes et tous devant un d\u00e9sopilant constat\u00a0:<\/span><\/p>\n

Ces r\u00e9cits transportent bien plus que le tribut du pass\u00e9.
<\/span>L\u00e9gers, ils inventent les traces, qui porteront nos fruits.<\/span><\/p>\n

B<\/strong><\/em>oulimie de mots, d\u2019images,\u00a0
<\/span>Pour rattraper le temps perdu,
<\/span>P\u00e9n\u00e9lope Bagieu condense et compile des br\u00e8ves, des \u00e9clipses, de ces \u00eatres d\u00e9routantes.<\/span><\/p>\n

Elle a \u00e0 c\u0153ur de les rendre attachantes.<\/span><\/p>\n

On en sort vaincues,\u00a0
<\/span>Pour r\u00eaver en grand, avant de r\u00eaver en cases.
<\/span>Ni fatalement femmes, ni rang\u00e9es au foyer,<\/span><\/p>\n

D\u00e9contenanc\u00e9.e.s, conscientis\u00e9.e.s,\u00a0<\/span><\/p>\n

Gagn\u00e9.e.s de l\u2019all\u00e9gresse\u00a0
<\/span>D\u2019avoir juste le culot d\u2019\u00eatre.<\/span><\/p>\n

D\u00e9culott\u00e9e
<\/span>Disponible dans toute librairie,
<\/span>Ind\u00e9pendante.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Texte : Annabelle PonsinIllustration : Pauline Stive C\u2019est \u00e0 bras les corps que P\u00e9n\u00e9lope Bagieu retrace des parcours de femmes inspirantes;Et inspir\u00e9es de ne pas incarner ce que l\u2019on attendait d\u2019elles.Pour retourner ce miroir qu\u2019elle nous tend, Portraitisons l\u2019artiste.Donnons-lui corps. Culott.\u00e9es\u00a0Adjectif f\u00e9minin, f\u00e9ministe; le plus souvent.Familier; mais pas forc\u00e9ment familial.S\u2019accordant en genre, hors des ombres, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_acf_changed":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"tags":[155,214,216,127,147,154,108],"numeros":[172],"ppma_author":[213,212],"class_list":["post-14725","articles","type-articles","status-publish","hentry","tag-art-visuel","tag-arts","tag-femmage","tag-histoire","tag-illustrations","tag-invisibilisation-des-femmes","tag-poesie","numeros-vol-22-no-1-corps-et-resistances"],"acf":{"sections":{"section":""},"bibliographie":"","hyperliens":null,"order":4},"yoast_head":"\nLes traits du culot face \u00e0 l\u2019attrait des absences | Revue F\u00e9min\u00c9tudes<\/title>\n<meta name=\"description\" content=\"Texte : Annabelle PonsinIllustration : Pauline Stive C\u2019est \u00e0 bras les corps que 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